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Home » Cinematography » Page 3

Cinematography

lol crawley
Posted inCinematography, Camera, Cinema

Profiling Lol Crawley’s Brilliant Cinematography Techniques In The Brutalist (2024)

by Aniket GhatnekarMarch 6, 2025March 6, 2025

Digital Studio India analyses cinematographer Lol Crawley’s methods that went into crafting the award-winning cinematography of The Brutalist

Blackmagic URSA Cine 12K LF to shoot a comedic 220 fps slow-motion
Posted inCamera, Cinema, Cinematography

Blackmagic URSA Cine 12K LF Powers Hilarious Slow-Mo Scene in Peacock’s “LAID”

by Staff WriterFebruary 24, 2025February 24, 2025

DP Judd Overton used the Blackmagic URSA Cine 12K LF to shoot a comedic 220 fps slow-motion death scene for Peacock’s hit series “LAID.”

Indie film: The-Virgin-Of-Quarry-Lake
Posted inCamera, Cinema, Cinematography

Blackmagic Design Dominates Sundance 2025: Over 40 Projects Powered by Its Cameras and DaVinci Resolve

by Staff WriterJanuary 31, 2025January 30, 2025
Sony BURANO Version 2.0 will include additional recording modes, added support for SDI output, proxy recording and more
Posted inSoftware Solutions, Camera, Cinematography

Sony BURANO Version 2.0 Firmware Update Enhances Recording and Monitoring

by Staff WriterJanuary 25, 2025January 24, 2025
Pete Romano the Hydroflex Technology innovator
Posted inCinematography, Cinema

Pete Romano: Innovator in Underwater Cinematography and HydroFlex Creator (II)

by Swapnil RajeJanuary 23, 2025January 27, 2025
Underwater Cinematography: Pete Romano Scarlett Johansson: The Island
Posted inCinematography, Cinema, Technology, Videos

Pete Romano: Innovator in Underwater Cinematography and HydroFlex Creator

by Swapnil RajeJanuary 22, 2025January 27, 2025
Blackmagic Design’s URSA Cine 12K LF digital film
Posted inCamera, Cinematography

Blackmagic URSA Cine 12K LF Joins Netflix’s Elite Camera List: Elevates Digital Filmmaking Standards

by Staff WriterJanuary 22, 2025January 22, 2025
Opera Grand Rapids
Posted inCamera, Cinematography

Opera Grand Rapids and Colvin Theatrical Use Blackmagic Design for Cinematic Opera ‘Stinney: An American Execution’ on PBS

by Swapnil RajeJanuary 20, 2025January 20, 2025
ACT Entertainment celebrates the retirement of CTO Mario Collazo after 29 years, promoting Ryan Kanarek and Dustin Barnes
Posted inProduction, Accessories, Broadcast Business, Camera, Cinematography

ACT Entertainment Leadership Shake-Up: Collazo Retires, Kanarek and Barnes Promoted

by Staff WriterJanuary 13, 2025January 13, 2025
DP Edu Grau captures Almodóvar’s vision in “The Room Next Door” with the ARRI ALEXA 35
Posted inCinematography, Camera, Cinema

Edu Grau Discusses Cinematography for Almodóvar’s The Room Next Door and the Role of ALEXA 35

by Staff WriterDecember 31, 2024December 30, 2024

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