Posted inPost-Production Light Iron Enhances Bi-Coastal Workflow with Nara’s Streamlined Post-Production Solution by Staff WriterJanuary 9, 2025January 9, 2025
Posted inCinematography, Camera, Post-Production ‘Awesomest Christmas Ever’ Shot on Blackmagic Pocket Cinema Camera 4K and Edited in DaVinci Resolve Studio by Staff WriterDecember 25, 2024December 25, 2024
Posted inProduction, Live Production, Post-Production, Remote Production FutureWorks Appoints Vik Jayakumar as EVP Business Development, North America by Staff WriterDecember 6, 2024December 6, 2024
Posted inPost-Production Tint Enhances Post-Production Workflow with EditShare’s High-Performance EFS Storage Across Gothenburg and Stockholm by Staff WriterNovember 29, 2024November 29, 2024
Posted inVideos, Events, Post-Production Barco Showcases HDR Cinema Technology at 55th IFFI with Anthon Muller by Staff WriterNovember 26, 2024November 26, 2024
Posted inVFX, Post-Production Dream of Working in a Studio? Join the WAFX Waves VFX Challenge! by Staff WriterNovember 4, 2024November 4, 2024
Posted inPost-Production Pixel Power Announces Key Appointments to Drive Growth and Innovation Following Brand Revamp by Staff WriterOctober 31, 2024October 31, 2024
Posted inPost-Production, Camera, Cinema, Cinematography Blackmagic Design Powers Post Production on Horror Film “Curse of the Sin Eater” with DaVinci Resolve Studio by Staff WriterOctober 24, 2024October 24, 2024
Posted inTechnology, Post-Production D2N Expands Australian Operations with Key Appointments in Product Support and Sales by Staff WriterOctober 21, 2024October 21, 2024
Posted inPost-Production RKM Studios Leverages Blackmagic Cloud and DaVinci Resolve for Nick Phoenix’s Fantasy Music Videos by Staff WriterOctober 5, 2024October 4, 2024
