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Cinematographer Picks His Favourite Visually Stunning Mani Ratnam Films

Mani Ratnam’s films are a masterclass in cinematography, as a filmmaker Ratnam has collaborated with some of the finest cinematographers in Indian cinema, such as P. C. Sreeram, Santosh Sivan, Rajiv Menon, and Ravi K. Chandran. Read about Mani Ratnam’s keen eye for visuals.

A flashback of Mani Ratnam's visual masterpieces on his 67th Birthday

With every film of his, Mani Ratnam has experimented with various styles and techniques of cinematography, ranging from realistic to stylized, from natural to artificial, and from static to dynamic. He has also used cinematography to enhance the narrative, character, and symbolism of his films. Whether it’s capturing the vibrant streets of Mumbai in the film ‘Nayakan’, the picturesque landscapes of Kashmir in ‘Roja,’ or the gritty urban settings of Kolkata in ‘Yuva’. Each frame is meticulously crafted, showcasing a seamless blend of colours, textures, and mood that complements the narrative and evokes an emotional response from the audience.

On the occasion of Mani Ratnam‘s 67th Birthday, we spoke to a cinematographer Prakash Velayudhan, an upcoming cinematographer known for his work in Malayalam movies Lava Kusha, Oru Mexican Aparatha, Ennalum Ente Aliya and has shot several ad-films.

Cinematographer, Prakash Velayudhan picks his personal favourite films of Mani Ratnam that he considers reference material.

Cinematographer Prakash Velayudhan

“Mani Ratnam’s movies have a distinct theatricality in their visual presentation, a timeless quality that remains relevant even in today’s era where theatrical experiences are highly sought after. One of my personal favorites from his repertoire is “Alaipayuthe,” which stands out for its cinematic realism and sheer beauty. Throughout the film, we witness a versatile combination of moods that perfectly captures the director’s ability to portray various situations, providing ample opportunities for the cinematographer to experiment and showcase their artistry.

(L to R) Iruvar & Alaipayuthe

Another noteworthy film is “Iruvar,” where Ratnam employed the use of wide-angle lenses in a refreshing and unique manner for that period. This technique allowed the audience to experience the depth and expansiveness of the lives of the main characters, brilliantly portrayed by Mohanlal and Prakash Raj. The dynamics of their friendship and the intricacies of their relationships were effectively captured through the cinematography, leaving a lasting impression on the viewers.

In both these films, Ratnam’s visionary storytelling combined with the cinematographer’s craftsmanship results in visually stunning masterpieces that elevate the overall cinematic experience. The distinctive visual style employed by Ratnam, along with his ability to bring out the best from his cinematographers, ensures that his movies continue to captivate audiences with their timeless and visually engaging narratives.”