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Calrec Audio to debut Brio 12 for US at NAB Show 2018

Calrec’s RP1 remote production unit is a live-broadcast product that directly addresses an increasingly prevalent requirement for high-quality content from remote locations. It consists of a 2U core that contains integrated FPGA-based DSP, enabling a console surface at another facility to control all mixing functionality. The RP1 core manages all the processing for IFB routing and remote monitor mixes, and it does so locally with no latency. This level of integration and remote control makes it simple for any remote mix engineer to set up IFB mixes and eradicates any delay for remote listeners or presenters.
The RP1 core quickly embeds audio into existing video-transport mechanisms, while its modular I/O backbone accepts any of Calrec’s I/O cards. This versatility means the RP1 can connect via analog, AES, MADI, SDI, and the latest AoIP solutions such as AES67, Ravenna, and Dante.
At the 2018 NAB Show, Calrec will show a suite of new features on the RP1. These include a 2-band filter and 4-band EQ, expander and gate facilities, compressor and sidechain EQ facilities, direct output for all remote faders (up to 5.1 wide), and remote auxes via Calrec Assist.
The new software also provides VCA master control from the host console and pairing of transmission and remote faders so that any fader/cut changes are applied to both TX and IFB paths on to remote faders and remote auxes. A new ‘blocking’ mode prevents the RP1 unit from affecting the paired transmission faders, while the ‘independent’ mode ensures the RP1 can operate independently of the host when required.
Calrec Audio will make its US debut of Brio 12, a compact 12-fader audio mixer, at the 2018 NAB Show. It has a similar feature set and mix capabilities as Brio36, but meets the demand for a broadcast mixer in tight spaces like small vans and compact control rooms. At under 450mm or 18 inches wide, it is slim enough to fit into standard racks or to be stowed out of the way when not in use.
Brio 12 is ideal for small-scale productions, or as a sub-mixer or backup mixer for larger productions. Inheriting a rich feature set and surround capability from its larger sibling, Brio 12 removes the limitations on ambition and creativity imposed by mixers of comparable size and price-point.
With 12 physical dual-layer faders for mixing live sources during broadcast, Brio 12 provides extra virtual faders via its user-friendly UI. With 48 input channels and the same buss count as the popular Brio36, the console has plenty of capacity for sub-mixes and VCA slaves. These capabilities also make it ideal for production environments requiring automated control over every fader.
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